Fixed price for sale 1960#39;s Black Velvet Pullbox Hat 1960#39;s,Hat,/aptychus1656850.html,,Accessories\ , Hats Caps\ , Formal Hats\ , Pillbox Hats,Pullbox,$14,Velvet,Black 1960#39;s,Hat,/aptychus1656850.html,,Accessories\ , Hats Caps\ , Formal Hats\ , Pillbox Hats,Pullbox,$14,Velvet,Black $14 1960#39;s Black Velvet Pullbox Hat Accessories\ Hats Caps\ Formal Hats\ Pillbox Hats Fixed price for sale 1960#39;s Black Velvet Pullbox Hat $14 1960#39;s Black Velvet Pullbox Hat Accessories\ Hats Caps\ Formal Hats\ Pillbox Hats

Fixed price for sale mart 1960#39;s Black Velvet Pullbox Hat

1960#39;s Black Velvet Pullbox Hat


1960#39;s Black Velvet Pullbox Hat

A neat little black velvet pillbox hat with elastic.

has a sewn in velvet bow in back...a little hard to see in photos . ELegant and understated

Circumference of head band about 17 1/2 meant to sit in top of head. Height from brim to crown about 3 1/4 quot;

In excellent condition, though a bit linty...could use a careful off odors.

Marked on tag inside: Horne hats...Virginia

Circa 1960#39;s. Could be older


1960#39;s Black Velvet Pullbox Hat

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Sandy Brown

Sandy Brown has been making ceramics now for over 50 years and is internationally known. After being introduced to ceramics in Japan, Sandy learned there that pots can be dynamic, exciting, free, and irregular. Moreover, they can be loved and used for those qualities.

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Ostinelli and Priest

Gaynor Ostinelli and Paul Priest, or Ostinelli & Priest, are well known for their animal sculptures which draw on both domestic and wildlife. Exhibited around the world, their work is represented in numerous galleries, public and private collections in the UK and overseas. The animals they sculpt varies as their subjects, and the demand for the work, expands.

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Adela Powell

Adela studied the natural sciences and her work reflects a depth of observation of the natural world. Universal patterns, textures, and forms in nature, where science and art are inseparable, are Adela’s constant source of inspiration. She is particularly drawn to fragmentation and erosion, which she attempts to incorporate in her work, allowing fortuitous accidents and influences from the subconscious to enrich the process.

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Jonathan Chiswell-Jones

Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.

In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.

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Tina Vlassopulos

As a rebellious schoolgirl, Tina always knew that she would go to art college as she absented herself from her maths lessons to go to exhibitions. In 1974, she commenced her BA in Ceramics at Bristol Polytechnic with a strong 2D portfolio but hardly any experience of working with clay and she found it challenging. Nevertheless, she was drawn to it because it was the only material which was so malleable, human, primal, intimate, flexible, fundamental, and could be adapted to suit all personalities.

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Jennifer Hall

Jennifer graduated from Cardiff Institute of Higher Education back in 1994, followed by work as a thrower and decorator for Gwili Pottery, Carmarthen. Jennifer set up her first pottery in 1997 in Buckinghamshire, later in 2001 she moved to Llanwrthwl, Powys to establish her successful studio. 

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